We caught up with Michael Kucyk of (A&R at Modular Records) and hit him with a couple of simple but often confused questions on music publishing. Even to mu... Read More...
Max For Live is one of Ableton Live’s most powerful features, but it’s difficult to browse through new Max For Live devices and acquire some for your collection... Read More...
When composing a strong lead melody (also known as a 'hook'), there can be a few music theory elements to take into account. As a songwriter, I am constantly an... Read More...
We have been hard at work putting together an exciting project with Flume and Future Classic - the Beginners Guide to Music Production with Flume & Livescho... Read More...
Here at Liveschool we’ve long being trying to find a better way to schedule the Liveschool course dates. We’ve tried all sort of tricks in iCal, Trello and othe... Read More...
Anthony Garvin is an Ableton Certified Trainer at Liveschool, manager of Studios 301 in Alexandria, and techno fanatic, so he knows a thing or two about mixing ... Read More...
Just recently Liveschool teamed up to create a competition with Studios 301, Korg and Ableton, and the idea was:
Download the Liveschool and Studios 301 Korg ... Read More...
Workflow improvements are an integral part of an efficient production process. By having some tried and tested processes and templates in place, you can work ef... Read More...
Quickly rising trio RÜFÜS recently came in to Liveschool to give us a look around the Ableton set they use for their live show. Here's some insight into their l... Read More...
With Max For Live devices being created and made available in increasing abundance, it can be easy to feel overwhelmed when browsing for something new to add to... Read More...